National Council on Education for the Ceramic Arts (NCECA), Call for Submissions- 2018 NCECA Annual, Visual Voices: Truth Narratives

National Council on Education for the Ceramic Arts (NCECA), Call for Submissions-  2018 NCECA Annual, Visual Voices: Truth Narratives

Deadline: June 14th, 2017 (midnight MDT)

Overview: The recently refreshed format of the NCECA Annual blends impactful attributes of invitational and open juried models of exhibition development. NCECA’s aspiration for this exhibition is to enable exceptional work to represent clay’s concerns for craft and material expression in concert with meaningful content and conceptual rigor. NCECA remains committed to the belief that relatively under-exposed artists will have opportunities to present their work with that of more established and already recognized emerging creators in the field.

The NCECA Annual is developed through the vision of a single curator/juror who generates an organizing concept for the exhibition and invites five artists whose work will frame curatorial ideas. Additional works and artists for the exhibition will be selected through an open call for submissions. The curator/juror will review these entries and make final selections for the exhibition.

Curator: Winnie Owens Hart is recognized as an educator, artist, filmmaker, author and critical thinker in matters of clay, art and culture. She taught at Howard University for more than 37 years and has conducted research, exhibited, and presented lectures internationally.

2018 Exhibitions Focus: Curator/juror, Winnie Owens-Hart has invited artists Syd Carpenter, Roberto Lugo, Sana Musasama, Reginald Pointer, and Janathel Shaw to frame the curatorial concerns of Visual Voices: Truth Narratives. The artists selected create powerful works that speak in a variety of visual volumes that touch on personal and global issues and emotions. Their narratives, whether literal or abstract, acknowledge that intolerances spawn racial, religious, class, and gender biases in every part of the world. The sense of interconnectedness created by modern media has transformed what was once an ancestral community to now a global community. Our stories, re-told in clay, are borderless. Historically, the narrative ceramic object has engaged with the retelling of events through visual imagery codification. Clay works dating back thousands of years have enabled archaeologists to theorize on ceremonial, spiritual, and utilitarian societal markers that document the social and cultural contexts of their makers’ communities.

Makers have continued the creation of narrative works using clay. Contemporary narrative ceramic artists, compared to their historical counterparts, are visually bombarded through media systems. Some work is created based solely on the artist’s personal experiences while others are influenced by what they see through the media; many today are shaped by both.

Eligibility: Submission of works for consideration is open to the broad field of ceramic art. Artists must be over 18 years of age and not matriculating for a degree in higher education. (NCECA provides a platform for student artists in the National Student Juried Exhibition which will take place at the Pittsburgh Center for the Arts in 2018.) NCECA membership is not a requirement of eligibility, however, NCECA members receive a discount on entry fees.

For more detailed information and link to apply:


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